Thursday, February 3, 2011

Amazing Wildlife Photography by Robert B. Haas


Robert B. Haas is the author and photographer of a series of six photographic books, including A Vision of Africa (1998), Predators (2001), African Critters (2002), Ten Days on the Chobe (2002), Through the Eyes of the Gods—An Aerial Vision of Africa (2005), and Through the Eyes of the Condor—An Aerial Vision of Latin America (2007). Both Through the Eyes of the Gods and Through the Eyes of the Condor were published by National Geographic.




Since 2002, Haas has focused his artistic endeavors primarily on aerial photography, in an effort to capture the grandeur and mystique of Earth's continents from this unique perspective. Haas's first book with National Geographic, aptly titled Through the Eyes of the Gods, was published in 2005. An aerial vision of Africa, Through the Eyes of the Gods has been translated into 17 languages. In his second work with National Geographic, Through the Eyes of the Condor, published in 2007 and also translated into 17 languages worldwide, Haas devoted his creative energies to Latin America, crisscrossing this vast region to create an aerial portrait of its volcanic peaks, lush rivers, colorful wildlife, and culturally diverse peoples from the vantage point of helicopters and small planes. Through the Eyes of the Gods and Through the Eyes of the Condor are two of the most successful and widely distributed single-photographer books ever published by National Geographic.

























Jordan Grace Owens | hollandsworth

I'm having a RIDICULOUS morning (broken water heater, client presentation, snowpocalypse issues), and these made me smile – so onto the blog they go.





Art & Illustration Goods by Jordan Grace Owens by hollandsworth

(via moderncat)

Creative Photography by Simon Strong


Simon Strong, Bborn in Vietnam 1974, is an Australian photographer. The time he works on a single image ranges from a few weeks to 9 months. Combining Eastern with Western influences in his photography, that often are about dreams and memories, make up the body of work from Strong. His heavily layered and constructed photographs seem both familiar and surreal at the same time. He likes to trigger our perception of the possible and defines his work as "photographic composite."




In his new body of work, Simon Strong develops his on-going fascination with the theatrical space of digital photography and particularly with the variety of ways in which darkness can be contrived and represented by using artificial light, often informed by the tricks and techniques of contemporary cinematography.

I don’t feel so concerned anymore that my work needs to be immediately comprehensible. I’m consciously allowing concepts to evolve and develop in a less linear fashion. I’m enjoying the possibilities presented by a more enigmatic or mysterious tone...where you only get glimpses of what may be a more encompassing psycho- drama...
- Simon Strong